A Little Bit of Home

I’ve spent just under three months back in Bristol and with not having too much to photograph having already done so in the past, I just went around my garden at various times of the day to shoot a variety of objects which I thought looked interesting after I had taken them. Preferably, I would have loved to have used a macro lens for the garden photographs as there is an opulence of nature and wildlife there, but I don’t have one as of yet so I had to use my standard Nikon D3200 lens. 

I especially like the photo that has two different contrasts which I made by shooting through one side of my reactor glasses to get the darker but clearer side on the left and then the lighter but blurry view on the opposite side. I wear glasses and so I think that provides a surface insight into my view when I wear reactor glasses.

‘Clarity’

I came home from my first year at Plymouth University a few months ago and in terms of photography it was a difficult transition from shooting stunning and breathtaking landscapes to a place I’ve lived in for almost 21 years. Bristol is a nice place but having been over a lot of it, I wouldn’t say there are too many photo opportunities apart from the Suspension Bridge and some of the street art on Nelson Street. Hence, I tried to look around my house for subjects to shoot and the nature of water sprang to mind for the mineral’s fluidity and it was there in abundance. Although, I wouldn’t waste an important resource in such a way. The idea was just to almost barely run the tap so that I could capture water droplets leaving the tap at a very gradual speed. I would have liked to have worked on a larger scale with a waterfall, reservoir or possibly the ocean to really match the vision I saw in my mind.

I called this little piece ‘Clarity’ because water shows fluidity and transparency which few other things show.

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The Knowledge – Shark Week Article

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Not So Jaws: The Significance of Shark Week

For my second article for The Knowledge, I wrote about a topic that I have a very keen interest for the Environment section of the newspaper. I wrote about Shark Week and the benefits and problems of its continuity. A week-long programme block that broadcasts to millions of viewers all around the world. I have included my own opinion in the article so people could see my personal thoughts on Shark Week and how it stoked my interest into documentaries. I researched about Shark Week and studied whether it educates people about oceans and sharks or if some of their programmes instil fear into viewers, causing for them to be completely mislead and possibly suffer from the common fear of sharks. I included statistics from the Florida Museum of Natural History’s International Shark Attack File for some interesting reading.

Please read my article and tell me what you think!

http://theknowledgeplymouth.co.uk/not-so-jaws-the-significance-of-shark-week/ 

 

 

Shark Week Image Original Source

The Knowledge – University Dodgeball

Dodgeball

University dodgeball shows upward trend

My first article for The Plymouth University’s Official Student Newspaper, The Knowledge, was focused on the rise of dodgeball in British universities when it’s more known to be a major sport in colleges on the other side of the Atlantic. Yet, there does seem to be an increase in HE students from across the country participating in dodgeball games and societies. I spoke to some of Plymouth University Dodgeball Club’s committee to understand their motivation and the drive to get into a sport of dodging, ducking and dipping to avoid being hit by a ball.

I looked into the influences for people wanting to play dodgeball over more orthodox British sports like football or rugby, with “,That film,” being mentioned a few times by people.

If you wish to read the article, just follow the link above or below, and be sure to check out other articles from The Knowledge:

University dodgeball shows upward trend

 

Dodgeball Image Original Source

The Knowledge

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Recently, I have begun to write for Plymouth University’s Official student newspaper, The Knowledge, and 2 of my articles have already published since early August. I have been designated as one of the Sports & Societies writers for this year but I can still branch out into other sections such as Arts, Environment, Opinion and Lifestyle.

The Knowledge is a group of current Plymouth University students that are solely run by the students for the students; we cover a variety of news topics ranging from local music venue closures to international crises and debates. We speak up about situations and events while providing an unbiased outlook, minus the Opinion section which needs a writer’s person thoughts to help their article have a distinctive individual feeling about it. 

I may have only just started contributing to The Knowledge but I think it’s a great opportunity to strengthen my creative abilities while providing an outlet for me to get involved with a university society and to broaden my horizon in the various types of work I can do. If a person has the chance to write for a newspaper, whether it be a student one or a journal for a local community, I would urge people to pursue with it as it actually is quite stimulating and its interesting to be part of a knowledgeable society. I did originally want to be a journalist and I would be happy to continue with those aspirations, especially while having the chance to write for The Knowledge.  

Devon Wildlife Festival 2014

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In May, I directed a joint photography and videography crew after communicating with Devon Wildlife Festival personnel about filming Devon Wildlife Festival 2014, an annual event by the Devon Wildlife Trust in which they try to educate people about the county’s wildlife and ecosystems, while promoting wildlife conservation. This year, the Wildlife Festival was held in Barnstaple, North Devon on the 10th of May 2014 and provided a range of stalls and entertainment, including an insect petting zoo, face-painting, Build Your Own Bird Nest Box, a mobile vintage cinema and a falconry group. These were all really popular with the younger audiences but still gained wide-spread attention from the older generations.

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This year, over 4000 people attended the event with further encouragement from Barnstaple Town Mayor Valerie Elkins who gave a speech at the start of the event before having a tour of each stall. The attendance could have been more than 4000 but for the entire day, there was a struggle with strong winds and torrential rain but I think we got some of the best shots we could have had in our situation.

For the event, myself and Conor Carroll were the event photographers while Sean Valentine and Adam Read filmed the proceedings of the day. The size of the team was vital for its flexibility and ability to shoot from a range of angles on a variety of cameras, lenses and creative perceptions. We managed to capture all of the day’s events simultaneously, while on larger events such as the bat shows, we would all proceed to capture footage or images of the bats and their handler in different styles to create a greater sense of diversity within our work. I chose my crew and I was happy with what we all produced, it was a joint effort and I think we achieved the effect that both ourselves and Devon Wildlife Trust wanted.

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We provided Devon Wildlife Trust numerous photographs of the event for them to use on their website and in their magazines, but we were also granted to produce a highlights reel for which Adam Read produced and edited.

The Devon Wildlife Trust is a registered charity and a member of the Wildlife Trusts partnership. For more information about the DWT and the work they do, please visit their website.

“Aspects” – Place Thematic Exhibition

The end of May encapsulated the majority of the work that 1st year Media Arts students had produced and developed over the previous eight months starting in September. Through the concept of us preparing and curating a professional exhibition showcasing the range of work that we constructed on four carefully thought-out themes, we were taught on how to produce a public exhibition while it also being our last assessed piece of work for the year. With the advice of our course tutors, first year along with second year Media Arts students produced the first joint-year exhibition that there has been during the run of this particular course. We all collaborated with each other and were mixed together with the insistence of the course tutors to achieve our goal with the four groups having different roles from promoting the event with the advertising of flyers and posters to producing the signage which would fit with each person’s artwork. The exhibition contained a variety of media to present people’s work; including moving image, photography, sound, animation and projection.

There were approximately groups of 20 for each of the curatorial thematics. They were Place, Experience, Water and Subtext. The majority of students from both sets of years decided to produce a new piece of work, while the others developed existing pieces of coursework with an extra depth of dynamism or style to showcase their progression from their original pieces of work. This was all within the media formats of moving image, photography and sound.

My group’s piece was on Place. In the slideshow below are a select few photos of my own work, my written extract and some photos of the exhibition itself, which was considered a success.

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It’s All A Blur..

For my complete documentary idea entitled ‘The Dark Night’ I obviously had to film during the night so in the past week I went out to shoot some footage but I also did some elements of photography for location recce/reconnaissance for the paperwork to my Media Arts assignment. Photography in the dark hasn’t really interested me in too much due to little lighting apart from the camera flash and the occasional street light, plus, having to contend with the cold and some partially drunk passers-by. Yet, on that night I seemed to fully enjoy the idea of night time photography although it could have just been the sense of losing the feeling in my fingers after holding onto my camera for a good hour at 2 in the morning. I embraced the challenge and tried to focus my photography on catching the light in a specific way but also setting my Nikon D3200 to Shutter Setting to increase the exposure time and create the effect known as ‘motion blur’ with the majority of my photos being taken towards the few cars and buses that passed through the streets at that time. Headlights from the vehicles give off a perfect aura among motion blur photos as the backdrop of dark city streets mix and blend nicely with these vibrant and powerful lines of light and illumination.

Here are some of the photos I took that night:

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I consider the first photo of the slideshow of a Plymouth City Bus turning a corner and heading straight across my path as my favourite photo of the night due to the dynamic orange colour and vivid blur that flows out of the bus as my camera shutter captures every movement and piece of momentum during it’s drive-by. It’s a whirlwind of colour and energy that almost conveys the idea that it transforms into the bus adjacent to it on the opposite side of the road as it speeds across around the bend.

Cornwall Photography

Very recently, I visited eastern Cornwall specifically the ferry point of Cremyll, villages Cawsand and Kingsand and also an Area of Outstanding Natural Beauty or an AOBN in the sight of the Rame Head Peninsula Heritage Site. I was there to film my previous documentary idea on a comparison of commercialized and branded shops and franchises within Plymouth and independent standalone stores in the Cornish village of Cawsand. I changed my idea after I had filmed it but my journey through a small segment of Cornwall was an absolutely perfect chance to capture some wonderful photography to practice and develop my skills. That part of Cornwall is often called The Forgotten Corner of Cornwall due to it’s far distance from the more popular towns in Cornwall like Truro, Falmouth, Newquay and Penzance; it’s quicker to get a 3-minute ferry from Plymouth to Cremyll then walk an hour to Cawsand than it is to drive from the Cornish village of Par. I’ve only been to this region of Cornwall twice but I definitely don’t consider it to be the ‘forgotten corner’ with miles of glorious sandy beaches in Whitsand Bay, deep and dense forests of vibrant and flourishing wildlife and locals that are friendly and good-natured. For photographic opportunities, I would consider it to be a haven for people to develop their shot skills and to learn more about their style and camera techniques.

Below are just a few shots I took during my day in Cornwall..

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Louis Theroux’s City of Dogs

Louis Theroux with Dog Man

On BBC2 on Sunday the 23rd of March 2014, Louis Theroux triumphantly returned to our screens with a sense of renewed vigour and ambition to interrogate and question people on difficult but quite extraordinary topics. Now, based in Los Angeles with his family after moving in 2012 for a new start and to help familiarise with the city and the lifestyle before he initiated the plan to start his new trio of episodes on the subject of stray dogs, euthanasia and probably the most daunting of them all – sex offenders. However, to start off the critcally-acclaimed journalist’s new series was the programme entitled ‘City of Dogs’, a documentary focusing on Los Angeles’ overwhelming population of dogs and more specfically, abandoned dogs. It seems that over 60,000 dogs are abandoned in Los Angeles and the several dog pounds which are held within the city limits are over-full with dogs of all varieties and sizes with over a tenth of them being euthanized every year to make room for the constant oncoming flow of dogs that are frequently dumped on the streets by their owners.

Louis Theroux is introduced to a man who is locally known as Dog Man, dog trainer and catcher of-sorts – Dog Man drives through the streets in his Ford pick-up truck picking up abandoned dogs across the area, ranging from actual stray and lost dogs to disowned dogs that are put out on the front lawn and are visually seen attempting to scramble back into their former home. A scene shows Dog Man putting a stray dog on a leash who immediately drags him back to the dog’s owner’s house, yet, the owner refuses and denies the possibility of it being their dog as it claws at the front door trying to get back in. It’s quite a sad sight to see so many dogs put out on the streets after the owners grow tired and fed up of them with most cases leading to the street rather than giving them to the dog pounds themselves; although unfortunately, at other times they can end up being killed by their owner on purpose but also due to the poor living conditions which occasionally are rooms filled with their own feces. Theroux continues his world-renowned style of inducing a false sense of naivety as he interrogates his topical participants while instilling a vast knowledge of previously-done research to give his interviewees the idea that Theroux is genuinely interested in their answers and every word they say. He adapts to the situation and can mould their words into difficult questions which seems to bring the most hardened of people to tears and tantrum.

Through this returning episode, Louis Theroux goes from strength to strength dealing with dog owners of varying kinds, dog pound staff and also facing a weaponized dog team lead by former gang-banger Malcolm who specializes in turning people’s dogs into personal weapons. He justifies his reasons to do this by stating that if he were to settle his street disputes with a pistol he would most likely land himself some jail time or potentially death, instead, it’s reassuring for him to have his ferocious canine in the passenger seat of his car, “I can ride around with my dog all day long. He’s a pistol at my side’. In most cases he is very much correct and his dog is more than adept at enforcing damage on potential threats and hazards to Malcolm as Louis found out, albeit, through a protective arm guard. As shown, Louis Theroux was almost knocked down by the impact of the dog as it’s rapid and dangerous jaw clamped down on the side of his arm; as a viewer, you could see that it was a most uncomfortable feeling for Louis Theroux and was adamant that enough was enough.

Surprisingly, Louis Theroux’s anticipated return to British television screens seemed to only capture the sight of just 1.8 million viewers, only 7.8% of the nation’s share of the audience between 9pm and 10pm on Sunday night. Although, like myself, I’m sure a few other viewers caught up on it on BBC iPlayer to view his most recent documentary installment that sent genuine elation down the spines of his fans and followers.

This definitely isn’t one of Louis Theroux’s most explosive or controversial documentaries like past programmes including The Most Hated Family In America or When Louis Met Michael Jackson but City of Dogs appears to have a more tentative but emotional approach focusing on people’s heartwarming but peculiar relationships with their canine companions, which verges on the edge of insanity. This documentary applies to all audiences but is certain to be a keen interest for dog-lovers and dog owners who would like an alternative perspective on a owner-pet relationship; a view from outside looking in on the behaviour of other owners and their dogs. With Theroux’s sense of style and form influencing the progress of the documentary, it’s a kickstart to his new triple episode in the latest series.